For the better part of a century, American kids have grown up with “The Wizard of Oz.” John Lahr—the longtime New Yorker theatre critic—grew up with the Lion from “The Wizard of Oz.” In 1998, Lahr wrote about his relationship with his father, Bert, a vaudeville and Broadway veteran whose stage career would be forever overshadowed by his turn as one of Dorothy’s companions on the Yellow Brick Road. The younger Lahr recalled his father changing the channel during a family viewing of the film in the early sixties, still ambivalent about the movie’s impact on his career, and still sensitive about his own performance in it. “I’m older now,” the senior Lahr tells his wife. “There’s stuff I coulda done better.” To get to know the distant but “friendly absence who answered to the name of Dad,” the younger Lahr had begun working on a biography, which he would finish on the day of his father’s death and publish under the title “Notes on a Cowardly Lion.” His reminiscence in The New Yorker conveys the unique aspects of having a famous parent, but also the common complexities of the father-child relationship. “I’m pushing sixty now, but I find that the conversation with one’s parents doesn’t end with the grave,” Lahr writes. “I want Dad back to finish the discussion—to answer some questions, to talk theatre, to see me now.” |
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