Reviews of notable new fiction and nonfiction. The Lost Sons of Omaha, by Joe Sexton (Scribner). This anatomy of a killing in 2020, at a Black Lives Matter protest, tries to recover the essences of two men involved, who were “reduced to grotesques” in the distorting landscape of social media. During a struggle, James Scurlock was shot and killed by Jake Gardner, who died by suicide a few months later. Sexton marshals a remarkable volume of investigative material to disentangle fact from fiction, even though he fears that, in this moment, we may find it hard to see the genuine tragedy. Buy now on Amazon or Bookshop. Natural Light, by Julian Bell (Thames & Hudson). The artist Adam Elsheimer, who was born in Frankfurt in 1578 and died in Rome at the age of thirty-two, left only a small corpus of paintings, all but one executed in oil on copper, and most of them diminutive. Yet his expertise was revered, and Elsheimer’s reputation has endured. This study does discerning justice to his achievement. Buy now on Amazon or Bookshop. A History of Burning, by Janika Oza (Grand Central). The inciting incident of this epic début novel—spanning four generations, five countries, and nine voices—comes in 1898, when Pirbhai, a thirteen-year-old Gujarati boy, is tricked into indentured servitude and becomes one of many Indians laboring on the East African Railway, in British-ruled Kenya. Pirbhai’s descendants must navigate a complex social and racial hierarchy. Buy now on Amazon or Bookshop. The Book of Eve, by Carmen Boullosa, translated from the Spanish by Samantha Schnee (Deep Vellum). After a prologue, in which a nun denounces what follows as having been written “to please the Devil,” this novel embarks on a sensuous retelling of the Book of Genesis from Eve’s perspective. According to Eve, Eden “wasn’t desirable, desire didn’t exist there”; “there was no serpent”; and Cain’s offering was “light and joyful” while Abel’s was “unbreathable smoke.” Buy now on Amazon or Bookshop. What are you reading this week? Reply to let us know. |
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